Interview with the creators of RIGAMORTIS: A Zombie Love Story

Recently at the San Diego Comic Con 2012, the short film, Rigamortis: A Zombie Love Story was played for attendees and if you missed it, don’t worry, you can purchase the movie here!  You can also read our review here! Nerd Caliber met with the masterminds behind Rigamortis to find out how this unique film about love, zombies and singing all came together. We interviewed Writer and co-Director Dave Dewes, Writer and Director of Photography Jenny Stolte, and Director Ted Campbell.

How did the idea for this project come together?

DAVE: The idea for the project really manifested as a direct reaction to seeing Doctor Horrible’s Sing-A-Long-Blog.  I probably watched that film six times back-to-back upon discovering it and couldn’t help but feel that I was seeing the future of filmmaking.  I’ve been a fan of musicals my entire life and here was a group of filmmakers and artists I respected finding a way to put one out there, outside of the studio system and for relatively cheap (in film terms at least)!  More importantly it gave them the freedom to take the project in any direction they wanted and, thanks to the nature of digital distribution, make it exactly as long/short as the story called for.  Who wouldn’t want to try their hand at something like that?

There are a lot of genres here. It is a comedy, a tragedy, a romance, a horror and a musical. Was it very difficult directing and conveying all these elements to the silver screen?

TED: Not really. We played everything real. I mean, what the characters were going through was real for them. I think that’s what surprising about the film. It’s got real heart at the core of the story.

JENNY:  While we (Dave & I) were writing, we definitely tried to steer away from genre conventions. Or should I say, we didn’t try to steer towards them. We just wanted the story to be told however it needed to be, regardless of what category different parts of it might fall into. If I had to pick one, I would say comedy, because humor was the one thing we were constantly trying to insert in at every possible place.  The ending definitely takes a different turn, and that was a point Dave & I talked a lot about.  Would people freak out? Would they hate the rest of the movie just because of it? In the end, we knew we had to go with it because, simply, that was the end of the story. There was no other way to end it that would hold true to our original story.
DAVE: As Jenny said, I think we found our balance by not over-thinking the multi-genre aspect but rather simply looking at it as a story to be told.  Any good story has elements of love, adventure, comedy, maybe even a little horror and we simply went where those elements took us.  That being said, the project was very much intended to be funny and so whenever we would stumble upon a genre stereotype we would try and approach it a little bit tongue-in-cheek, while still respecting the heart of that genre.

Is this the first time all of you worked on a multi-genre project? Would you do so again?

TED: Would definitely do it again! In fact, I have a zombie western script. And I think Dave has a ninja trucker idea he’s been kicking around.

DAVE:  It was the first multi-genre for most of us, but I think I can speak for most of the cast and crew when I say we’d do it again in a heartbeat.

What are your favorite scenes or fondest moments in making this movie?

TED: The duet. That’s my favorite scene. Makes me tear up. I’m a suck’a for a tragic love story.

JENNY:  I will always remember hearing the music for the first time. Composer Greg Szydlowski did such an amazing job creating the perfect music and lyrics (along with Dave) for the film. He would send us demo tracks at various stages where he sang all the parts, which was always hilarious.  Then when we got the actors in to record the songs, hearing them played back with the actual actors voices in was awesome. That was the moment when it finally sunk in that we were going to make a musical (this was two days before principal photography began).

Tell us about the actors involved and how you felt they added to the overall feel of the movie.

JENNY:  All of the actors were completely perfect for their roles, and they all did an amazing job.  We actually found Lisa Musser first. Dave, Greg (composer) & I held auditions in Chicago for all the roles. Lisa had a completely amazing voice, and was the perfect look for Zoey. We held callbacks with her and one other actress, but I think most of our minds were made up after that first audition!

Ted Campbell (co-director) had worked with Maxwell Glick in the past, and as soon as he sent us his headshot and a YouTube video of him singing, we knew he would be perfect for Parker! His look was something a little different than what Dave & I originally had in mind, but once we heard him sing, we knew we had to get him on-board!
For me, Boston Stergis as Brock could literally not have been a better fit.  We actually found him very late in the game. The shoot was getting very close, and we had yet to find anyone for the role. One day, Ted called and said, I can’t believe I completely spaced on this guy for Brock.  He had worked with him on a previous project, and had forget until then that he was also the lead singer of a band. He sent us a head shot and a couple clips of his band playing, and we were convinced!
Each actor in the film brought their own personality to their roles, which definitely enhanced the final product. Even the amazing Madison locals that made up the Chorus brought their own life to the characters and made each one unique. We couldn’t be happier with all of their performances.

This will be shown during the San Diego Comic Con. Are there any other planned screenings?

TED: We’ve been doing the festival rounds for a while now.

DAVE: The film will be screening it’s second year in a row at Gen Con in Indianapolis August 16-19.  People can also find the film and soundtrack on iTunes!

What new projects will you be working on next after Rigamortis?

TED: Let’s turn Rigamortis into a feature!

JENNY:  We have been focusing a lot on trying to get Rigamortis out there and promote it as much as possible.  We’re hoping if it’s able to do well enough, it will allow us to create more, similar projects. We really enjoyed making a musical, and we think digital distribution is the way of the future, so we will definitely be sticking to those facets with our next project. We have talked a lot about, and are in the very very early stages of writing a Ninja musical.

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